Before he became a successful author of horror fiction, John Farris wrote crime and mystery paperback novels, including a 1958 release titled Baby Moll initially published by Crest Books (Fawcett Gold Medal’s sister imprint) under the pseudonym of Steve Brackeen. The book was re-released under Farris’ own name by Hard Case Crime in 2011 back when the company’s primary business was reprinting lost classic crime fiction titles with snazzy new covers.
Fishing supply store owner Pete Mallory is our narrator, and he’s engaged to marry a blue-blood heiress named Elaine. Pete has a secret past he hasn’t told Elaine that might throw a monkey-wrench in their wedding plans. You see, Pete used to run with a gangster named Macy who controls the rackets in South Florida, and someone has been bumping off members of Macy’s old crew one-by-one with maximum brutality and suffering. Macy needs Pete to come out of retirement, identify the killer, and neutralize him before the gangster boss gets a knife in the belly. The request is spiced with a dash of blackmail, so Pete isn’t in a position to decline. As such, it’s off to Florida for our narrator.
Of course, agreeing to this assignment from his former boss puts Pete squarely in the cross-hairs, and this leads to some vivid, violent, and visceral action sequences throughout the paperback. The core of the novel is Pete’s investigation into who is killing Macy’s inner circle. Is it a rival gangster looking to move into Macy’s turf? Could it be a grudge from the past coming back to haunt the aging racketeer?
The plot also revolves around the fact that Macy is getting too old to run his crime empire. A younger upstart - who may or may not be responsible for all the killing - is on the rise in Florida. Pete finds himself in the middle of all this tension and becomes acquainted with the women in each mobster’s sphere of influence. Evidently, crime bosses and their lieutenants have chronic girl problems. Presumably, one of these women is the Baby Moll from the cover, but the paperback was clearly titled by a Fawcett Gold Medal executive seeking to monetize 1958 America’s fascination with Bad Girls. As is often the case, the actual contents of the book doesn't jibe with the cover art (either iteration) or the title. Consider yourself warned if you were looking for a story about a Godfather’s Woman.
Overall, Baby Moll was a fast and compelling reading experience. It’s a well-told story written with great maturity despite the fact that the author was only 22 years old at the time of publication. Perhaps there were too many characters, but you can just make a list on your bookmark to keep them straight. Thanks to Hard Case Crime, you should have no trouble scoring yourself a copy with new and alluring cover art. However, the story inside is what really counts, and this one is a winner.
Postscript:
If you read and enjoy Baby Moll, you should check out these three other early crime fiction paperbacks by John Farris:
- The Corpse Next Door by John Farris (Graphic Books, 1956)
- Danger in My Blood by Steve Brackeen (Fawcett Crest, 1958)
- Delfina by Steve Brackeen (Fawcett Gold Medal, 1962)
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Our feature this episode is Ed McBain’s popular 87th Precinct series coupled with Eric’s review of the first installment “Cop Hater.” Additionally, Tom covers Lawrence Block’s “The Girl with the Long Green Heart.” Stream below or on any popular streaming service. Download directly here (Link).
Listen to "Episode 20: Ed McBain" on Spreaker.
We close out the month of September with a feature on Max Allan Collins and his series of books starring the hitman Quarry. Tom reviews "Quarry's Choice" from 2015 and Eric tackles the 23rd installment of 'The Butcher' series, "Appointment in Iran". Tom and Eric look back at the best of September and offer a sneak peek at October's lineup of reviews. Stream the show below or on any popular streaming service. Direct Downloads LINK
Listen to "Episode 13: Quarry" on Spreaker.
Esteemed author Max Allan Collins is a heavy contributor to the gritty, hard-boiled line of mystery fiction. His well-respected creations include Nate Heller, Nolan, Mallory and the subject at hand, Quarry. The Thrilling Detective blog cites Quarry as the first hired killer series, predating Loren Estleman’s Peter Macklin and Lawrence Block’s Keller. Collins released the debut, The Broker (aka Quarry), in 1976. After four more novels, and a ton of fan mail requests, the author began releasing series installments again in 2006. Contrary to The Broker as sequentially the first Quarry novel by publication date, it isn’t the chronological beginning. Quarry’s fictional accounts begin in this origin novel, The First Quarry (2008), and seemingly ends with The Last Quarry (2006). But aside from those bookends, the series can be read in any order.
Collins introduces our killer on a frosty December night in 1970. Quarry is a 5’-10”, 155-pound average build and a former U.S. Marine sniper. His experiencing killing Vietcong for low money has now extended domestically with a new business model and booming sales potential. In a brief recap, the reader learns that Quarry returned home after ‘Nam only to find his bride under a mechanic in the sack. In the blunt revenge tactic, Quarry catches the mechanic under a car…and ruthlessly kicks the jack out. The murder is widely publicized, but Quarry somehow gets off. This book’s opening pages has Quarry camped in a new suburban neighborhood in Iowa City performing surveillance. The homework is an effort to kill a college professor named K.J. Byron, ultimately Quarry’s first job offer in this new career opportunity.
An assassination service headed by the name The Broker offers Quarry the assignment to kill Byron after learning about his cold-blooded mechanic murder in the media. The Broker receives kill-jobs from needy clients which are then commissioned to hit men. In what would become a staple of the series, The Broker simply calls our narrator “Quarry” with no indication if it’s meant as a first or last name. Regardless, this unnamed trait is the formula for the genre, evident in Dashiell Hammet’s Continental Op and Bill Pronzini’s Nameless Detective. To size up Quarry’s expertise, the first assignment is killing this professor. The client’s daughter, Annette, has been collaborating with Byron on a book in exchange for working her young pupil hips and lips. While this is enough to maintain any fatherly vendetta, the larger piece is a manuscript outlining mafia action Annette has witnessed in the family business. Killing Byron and destroying the manuscript is imperative…but proves to be an arduous task for Quarry.
In true hard-boiled fashion, this first-person narrative has the protagonist displaying the sturdy antihero archetype. He’s completely void of morality, often breaking conventional ethics and driven by self-interest. While bravado fueled novels like Don Pendleton’s War Against the Mafia defines rigid boundaries and a sense of right and wrong, Collins leaves Quarry dissolute; youth gone wild in all its moral erosion. Quarry sleeps with the client’s daughter and the professor’s wife, endangering an already fragile working relationship. He sucker-shoots, lies, cheats and steals to overcome his lack of physical superiority (noted in one scene where he can’t fight two African-American mobsters). As the elementary assignment becomes further entangled in scorned love and rival gangs, Collins is quick to remind us the web isn’t a complex weave. His quick summaries of busy, violent chapters are stylishly funny - “The good news was the girl wasn’t dead. The bad news was everything else.” Quarry is wicked and never out of morbid one-liners for the reader. He’s likable, but deadly, repulsive, but delightful and the “good” bad guy we all want to win.
For the lack of a better term…Quarry simply kills.
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Before he was the famous author of bestsellers including “The Andromeda Strain” and “Jurassic Park,” Michael Crichton was a medical student writing books on the side under the name of John Lange. Before his 2008 death, he granted Hard Case Crime reprint rights to these early works, including his first published novel, “Odds On” from 1966.
“Odds On” is a heist novel in which three seasoned criminals conspire to rob the guests of a luxury resort hotel in Spain with the help of a machine called a “computer” that will take the guesswork out of the planning. These days, there’d be an app for that, but computers in 1966 were the size of a battleship and had the computing power of your toaster.
Here’s the heist crew:
- Bryan is the British thrill-seeking adrenaline junkie with the ability to drive women into an orgasmic frenzy with just one look.
- Miguel is a former U.S. Army soldier turned underground arms dealer. If you need some dynamite and blasting caps for a job in Spain, he’s your man.
- Jencks is the Massachusetts computer nerd who knows just which data input cards to drop into the giant IBM producing all the heist variables onto the magnetic tape and the green and white striped output paper.
As a 1960s period piece, this book is a total blast. Beyond the antiquated information technology, the novel is thoroughly politically incorrect - particularly in its treatment of women - and the main characters are vividly drawn archetypes of masculinity’s various flavors. Crichton’s pacing is perfect, and no one who reads “Odd On” should be surprised that the he later became one of the bestselling authors in the history of the written word. He had real chops even when he was a student.
The heist itself is well-planned and a large cast of supporting characters - mostly hotel guests - fill in pieces of the novel’s puzzle. There are lots of compelling little subplots happening with the other guests at the hotel that eventually tie into the larger narrative of the upcoming score.
Unlike the jobs of Richard Stark’s 'Parker' books, the computer-derived plan in “Odds On” is intricate and complex - exactly as you’d expect a fictional 1966 computer output to be. This makes for fun reading as the three thieves need to exhibit their flawless execution like a synchronized swimming routine. However, nothing ever goes as planned in a heist novel.
Another fun aspect of the paperback is the conceit that the heist crew must decide which guest rooms are worth robbing and which are better ignored. This appraisal of vacationing victims’ liquid assets is mostly done by having as much sex with fellow guests and hotel staff as humanly possible between arrival and go-time. This paperback has so many sex scenes that it makes a 'Longarm' story look like a 'Hardy Boys' hardcover. I’m not complaining, but the lusty descriptions also serve to pad “Odds On” from a novella length to a full novel. Crichton was a good writer, and he certainly knew his way around a hot scene, but you should know what you’re getting into if you’re the type of reader who tends to blush.
Other than the action between the sheets, there aren’t a lot of thrills in “Odds On” until the execution of the heist at the very end. The planning and casing of the hotel was compelling with a lot of relationship drama happening at the same time, so you’ll have to temper your expectations if you’re looking for a fast-paced adventure. Despite this, “Odds On” worked for me largely because Crichton’s plotting was very impressive, and the conclusion had a twist that I never saw coming. I intend to delve deeper into Hard Case Crime’s reprints of the John Lange body of work. Recommended.
Buy a copy of "Odds On" HERE:
In 2016, Hard Case Crime re-released a lost Lawrence Block novel titled “Sinner Man” that was written in the late 1950s and rejected by paperback houses until it was published in 1968 as “Savage Lover” under his Sheldon Lord pseudonym. The story behind this lost work is pretty interesting and is addressed by Block in the afterward to the recent reprint.
The paperback opens with insurance salesman Donald Barshter inadvertently killing his wife during a domestic squabble fueled by alcohol and high emotions. Instead of calling the police and rolling the dice on a likely manslaughter charge, he decides to run away. Barshter splits to Buffalo and creates a new identity for himself as “Nat Crowley,” an enigmatic wise guy from Miami.
Barshter finds it liberating to shed his skin and don a a new personality with a more brash attitude than the insurance industry would permit. As Crowley, he fights, gets laid (fairly graphically, thank heavens) and begins to attract the attention of the local mafia and the Buffalo Police. After he falls in with a crime boss, he becomes enmeshed in regional mob rivalries and makes some difficult choices along the way. Inevitably, things get increasingly murderous as Barshter goes all-in with his new persona.
Reading Block’s earliest writing is such a pleasure because it’s so recognizably him. The dialogue is crisp and realistic and the narrator’s thought process is logical and well-reasoned - even when you need to suspend disbelief that a suburban insurance man can segue so seamlessly into the Syndicate or that his desire to do so is wise under the circumstances.
Block has become a better writer over the past 60 years as you’d expect, but the guy was never a hack. Fans know he’s got real gifts, and he had them back in the day, as well. “Sinner Man” is a stand-alone winner, and you won’t regret the time spent reading this thin rediscovered paperback. Highly recommended.
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Robert Silverberg is a successful science-fiction and fantasy author. His novellas “Nightwings” and “Born with the Dead” are among five works that gained industry acclaim as Hugo award winners. However, Silverberg cut his teeth on “non-fiction” fantasies and crime noir in his youth. These stories, penned under names like Dan Malcolm and Ray McKensie, were published by zines like “Guilty” and “Trapped”. One of those, the novella length “Blood on the Mink” (1960), was reprinted by Hard Case Crime in 2012 along with the shorts “One Night of Violence” and “Dangerous Doll”.
“Blood on the Mink” is a well-crafted peek at the inner-workings of the Philadelphia syndicate. The book, written in first-person, introduces us to a federal agent who's donned the disguise of Vic Lowney, a successful California mob boss who's traveling to Philly to meet with a mobster named Klaus. Lowney, who's never met Klaus before, has an agenda of infiltrating Klaus' ring and nabbing a counterfeiter. Klaus' agenda is to pitch the counterfeiting idea to Lowney in hopes of selling him the fake currency for a quarter on a dollar. Easy, right?
Things get rather complicated quickly. First, Lowney is approached by a rival New York mobster named Litwhiler. He wants Lowney to cooperate with him and steal the counterfeiter with the promise that he'll sell currency to Lowney at a reduced rate. Further, Lowney is then approached by Klaus' stacked lover with a pitch to kill Klaus, steal the counterfeiter and make a fast break. Lowney, while carefully balancing his government work with pleasure, navigates a series of twists and turns that soon incorporates another rival mobster named Chavez and the counterfeiter's beautiful daughter, Szekely.
With all of these intricate allegiances and deceivers, is the book too dense to enjoy? No. Definitely not. Typically I struggle with a cast this robust with multiple threads. At 157-pages of large font, Silverberg takes it easy on his reader (and himself) by sticking to the facts and creating a brisk, easy read. “Blood on the Mink” shines with just enough action, dialogue and babes. In fact, I liked it so much that I read it in one sitting. While not the literary value of a Keene, Whittington or Brewer, this author sticks to the basics and delivers an excellent crime paperback. Nothing more, nothing less. Recommended.
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Released in 2017, Quarry’s Climax is the 14th novel in the Max Allan Collins series starring the nameless Vietnam veteran hitman code-named Quarry. The chronology of the series is a bit of a morass, but if such things are important to you, this one takes place in 1975 - five years into Quarry’s domestic murder-for-hire career when he was still taking assignments from The Broker.
The paperback begins with Quarry and his sometimes work partner Boyd at the apex of a posh assignment in Las Vegas. This gig serves to reintroduce the reader to the business model within which Quarry works. Oddly, the Las Vegas vignette doesn’t really tie into the plot of the novel at all. Consider it a bonus short story.
The heart of the paperback is a different assignment taking place in Memphis. As most Quarry novels are set in the Midwest (Iowa, usually), the change in scenery is significant and is a bit of a dog whistle to hardcore Quarry fans. You see, Showtime launched a Quarry TV series in 2016 and reset the series in Memphis (sinfully, if you ask me), so my guess is that Collins set the action of Quarry’s Climax in Memphis as a nod to the alternative continuity of the TV show. Some people liked the show. I thought it was awful. It wasn’t renewed for a second season, so that’s that.
Back to the novel. Quarry and Boyd find themselves in Memphis assigned to thwart the killing of a Larry Flint-like a pornographer named Max Climer who owns a strip club and filthy magazine called “Climax.” For personal and economic reasons, The Broker needs Quarry to neutralize an assassination team hired to kill the embattled porn king. However, killing hit men is only a temporary solution to the problem at hand, and Quarry also needs to identify and neutralize the client who is paying good money to see Climer dead.
What we have here is a pretty straightforward mystery novel with Quarry playing the role of detective. Who would want to kill a stalwart defender of the First Amendment testing the bounds of pornographic liberty? Religious kooks? Radical feminists? A business associate? A jilted lover? It’s Quarry’s job to find breaks in the action to receive oral favors from a hard-working stripper earning some extra cash for college - among other great sex scenes. There’s also a pretty cool cameo by the under-appreciated band, Big Star, that I sure appreciated.
As usual, Collins first-person writing is excellent, and Quarry’s Climax fits in nicely within the prolific author’s body of work. I’m thrilled to see that new Quarry books keep coming. This is a series that never seems to get old. Highly recommended. Buy it HERE.
Quarry’s Choice by Max Allan Collins is a 2015 installment in the hit man series, yet it takes place in 1972. The popular paperbacks have always been unstuck in time, and the reading order doesn’t really matter. The important thing is that you do, in fact, read these books because Quarry is among the best genre series characters ever written.
This one takes place after Vietnam vet Quarry has been accepting assassination assignments from the Broker for about a year. During a standard business meeting in Iowa, a couple of hired killers try to murder the Broker but are foiled by Quarry’s quick action. It’s an exciting opening scene that sets the pace for the remainder of this propulsive installment.
Soon thereafter, the Broker engages Quarry to kill the man behind the assassination attempt - a junior varsity racketeer named Killian in Biloxi’s Dixie Mafia. Killian is in the process of trying to consolidate power, and he views the Broker as a loose end requiring elimination. The ever-resourceful Broker has an inside track to get Quarry a job - in an undercover capacity - as one of Killian’s bodyguards to bide time until Quarry is properly positioned to eliminate this well-protected threat.
In Biloxi, Quarry is assigned a stripper/prostitute, who uses the name Lolita, to be his escort as he learns his way around town. As a writer, Collins is notoriously good at writing fantastically graphic sex scenes, so Lolita’s version of southern hospitality is a welcome addition to this otherwise violent and tense paperback. Beyond the sex scenes, the relationship that develops between Quarry and the whore is one of the most satisfying aspects of the novel and underscores the basic goodness and humanity of our antihero hitman.
Biding his time for an opportunity to take out Killian, Quarry is given assignments from his target to thin the herd of criminal competition in Mississippi, and Quarry must make some tough choices concerning conflicts of interest and the ethics serving two masters. The strip clubs and illegal gambling operations servicing the nearby Air Force base in Biloxi serve as a fascinating cultural study of regional crime.
As you may have figured, Quarry’s Choice is another fantastic and perfectly written novel in this flawless series. It’s short enough that it never drags, and Collins’ writing crackles with good humor and compelling bloodshed. The twists and turns as the book approaches its climax is genuinely surprising. The paperback’s conclusion is gratifying and leaves the reader wanting another helping of Quarry action. Highly recommended. Get it HERE.
“The Girl with the Long Green Heart” was a Fawcett Gold Medal paperback original novel by Lawrence Block released in 1965 that was brought back as a Hard Case Crime reprint in 2005 with a new cover by the great Robert McGinnis (although the original cover art was quite fetching). It’s a con-man story in the same vein as “The Sting” and it’s an absolutely terrific read.
Johnny Hayden is a master of the long con with a specialty in land and stock scams. After a stretch in the joint, he’s working in a bowling alley futilely saving his pennies so he can one day break into the hotel business. Johnny receives a visit from a younger, less-experienced fellow grifter named Doug Rance who comes with a proposition for a job. Rance has identified a mark named Wallace Gunderson who is ripe for the picking, but he needs Johnny’s help to make it happen.
Johnny is a great first-person narrator, but it wouldn’t have been much of a story if he declined Rance’s offer and went back to polishing his balls at the bowling alley. Instead, he’s back in the game honing and tweaking Rance’s plan to engage in a little theft by deception. After the initial setup and planning, it’s off to upstate New York to meet the mooch. A good bit of the action also takes place in Toronto, an underused setting in classic crime fiction.
I won’t give too much of the con away here other to say it involves land in Canada that may or may not be of interest to speculators interested in uranium mining. Gunderson is a jackass and a blowhard, so you don’t feel a bit sorry for him as Johnny and Rance work their magic. Rance enlists the help of Gunderson’s secretary, Evelyn, who has her own score to settle with her boss. Evelyn is a scorned woman with larceny in her long green heart and a real looker to boot. She needs to work closely with Johnny to make this scam happen, and, well, you can probably see where this is going.
If you like con-man novels, “The Girl With the Long Green Heart” will be right up your alley. The story’s big twist wasn’t a huge surprise and the conclusion was a bit anti-climactic, but it was a blast to read from beginning to end. It’s another early-career winner from Lawrence Block. Recommended.
Purchase this book HERE
Fans of men’s action-adventure place Max Allan Collins’ Quarry series in the top-tier of the genre along with Donald Hamilton’s Matt Helm and Richard Stark’s Parker. The former Vietnam War sniper turned hitman debuted in 1976 and has been a source of great entertainment ever since. The best news is that the author remains alive and well, and he periodically cranks out another 200-page Quarry novel - coupled with outstanding Hard Case Crime cover art - to the delight of genre fans.
Quarry in the Black is the 2017 entry in the series, but the series has always been unstuck in time. This particular story takes place in 1972 when Quarry was still accepting assassination jobs from his original boss, The Broker. The arrangement always made a lot of sense: The Broker deals with the client, and Quarry deals with the victim - sometimes with a passive partner who handles the surveillance, leaving Quarry to manage the kill. Quarry’s favorite partner, the gay-before-it-was-fashionable Boyd, is assigned to work with Quarry on this hit.
This one is a little different. Quarry is offered $25,000 to kill a charismatic black civil rights leader, Reverend Raymond Wesley Lloyd, who is campaigning for George McGovern to beat Richard Nixon in the 1972 U.S. Presidential Election. Quarry rightly recoils from the gig because Reverend Lloyd seems like an unobjectionable fellow - peaceful, anti-war, and espousing a strong anti-drug platform. Despite his chosen profession, Quarry has a decent moral compass and has no desire to become the next James Earl Ray. After The Broker gives Quarry some reason to believe that this Reverend isn’t the next Martin Luther King, he reluctantly takes the gig.
Collins does a fantastic job of capturing the zeitgeist of the post-burglary, pre-resignation, Nixon-Watergate era. He cites the era’s music blasting at Quarry’s every turn making me wish someone would create a classic-rock Quarry in the Black Spotify playlist to be used as a soundtrack while reading this paperback. Moreover, real-life public figures from the era have cameos in the novel, adding to the authentic feel of this retro effort. Collins even gives a nod to current events as Quarry is forced to tangle with a violent white-power group based in the all-Caucasian enclave of Ferguson, Missouri.
The central mystery of this - and most - Quarry stories is the identity and true agenda of the client paying for the hit. The Broker always keep’s the client’s identity from Quarry as a buffer of deniability if a job should go sideways. Inevitably, the full story eventually is revealed, and it usually explains the complications and bumps in the road that Quarry is forced to endure. Like the other novels, Quarry gets laid a few times in deliciously explicit detail, and the first-person narration is predictably hilarious.
There’s really nothing bad to say about Quarry in the Black. It’s another perfect entry in a legendary series. Hopefully, Collins stays energized and continues to come up with new Quarry stories for years to come. Highly recommended.
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Quarry's Ex is an excellent entry in the Quarry series by Max Allan Collins. The series is about an anti-hero murder-for-hire hit man. As with all the novels in the series, the first-person narration is conversational, humorous, and compelling.
There are two kinds of Quarry novels: The first type is where Quarry is hired to kill someone, the second is where Quarry is hired to stop another hitman from killing someone. Both types are equally great. In Quarry's Ex, our hero follows a hitman to the on-location filming of a movie to determine who is about to be killed and prevent the murder from happening. Along the way, he gets entangled with a woman from his past, several Hollywood bozos, and a mobster B-movie financier. There’s plenty of sex and violence along with an actual mystery to be solved.
The books were written in both the 1970s and the 2000s with a large publication gap in the middle of the series. The publication order is not the series order. The series begins and ends respectively, with The First Quarry and The Last Quarry. Beyond that, reading order doesn’t really matter. There is no discernible difference in quality between the 1970s installments and the 2000s. All of them take place in the post-Vietnam 1970s and early 1980’s.
I’ve never read a bad Quarry novel, and this one doesn’t disappoint. Highly recommended for hard-boiled genre fans.
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There are two types of Quarry novels: The first is when hitman Quarry is hired to kill someone and the second are the ones where Quarry tries to kill another hitman to protect a client. The Wrong Quarry, the series' 11th entry, is one of the second variety and perhaps the best of that bunch. It was published as a Hard Case Crime novel in 2014, and is written by Max Allan Collins. Aside from the first novel, readers can enjoy the series in any order.
Quarry finds himself in Missouri stalking a hitman who, in turn, is stalking a gay dance instructor who is suspected of causing the disappearance of a teenage girl. All the humor and sex from other Quarry novels is present in this one, but there is also a compelling mystery involving the identity of the person wanting to kill the dance teacher and the whereabouts of the missing girl.
The characters in this one are vivid and realistic. The female leads are sexy as hell. The plot twists are unexpected and realistic. The scenes of violence are brutal and bloody. This is one of the best of the series and not to be missed.
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