The Crash

Freida McFadden (a pseudonym whose real name is undisclosed) is one of the most prolific thriller writers working today. A practicing physician by trade, she’s built a second career cranking out short, high-concept psychological suspense novels at a pace that would make most writers collapse from exhaustion. Her books live at the intersection of airport paperbacks and late-night Kindle binges with short chapters, unreliable narrators, and twists engineered to hit like a slap across the face. 2025’s The Crash is squarely in that wheelhouse.

The setup is deceptively simple. Pregnant 23 year-old Tegan’s life veers violently off course after a snowy car crash leaves her injured, vulnerable, and dependent on the kindness of an odd couple who brings her home to care for her shattered ankle until the blizzard blows over. Tegan quickly comes to the creeping realization that something isn’t right with the strange couple.

If the premise feels familiar, that’s because The Crash openly invites comparison to Stephen King’s Misery. Like King’s classic, this novel weaponizes confinement and dependency. The horror doesn’t come from monsters or gore but rather a power imbalance. McFadden mirrors King’s slow tightening of the screws, where every small kindness feels suspect and every gesture might carry a hidden cost. The Crash is more streamlined and modern as if it were filtered through TikTok-era pacing.

Where McFadden truly shines is momentum. The book is hard to put down. Its the kind of thriller that tricks you into saying “one more chapter” until you realize it’s 2 a.m. The psychological manipulation is effective, the clues are planted just subtly enough, and the central situation is genuinely unsettling. You feel Tegan’s helplessness, which is exactly the point.

The ending is likely to divide audiences. Without spoiling anything, the final act leans heavily into revealing mandatory plot twists that not every reader will find it fully satisfying creating a conclusion that felt more engineered than inevitable. The landing doesn’t quite match the elegance of the buildup.

Still, The Crash is a solid entry in McFadden’s catalog and a strong recommendation for fans of fast, claustrophobic psychological thrillers. If you like your suspense sharp, efficient, and designed to be devoured in a single sitting, this one absolutely delivers even if the final note doesn’t resonate as cleanly as the outstanding set-up.

Get the book HERE 

One by One

Freida McFadden is a New York Times, USA Today, and Publisher's Weekly bestselling author of psychological suspense thrillers. With curious titles like Want to Know a Secret?, Do You Remember?, Do Not Disturb, and The Housemaid's Secret, it was just a matter of time before one of her novels showed up in my library app. My first McFadden novel is One by One, originally published in 2020. It's not to be confused with Ruth Ware's 2020 book of the same name. There's apparently more than one One by One.

The book is presented mostly in the present tense by main character Claire, but there are intervals written in third-person from someone simply titled “Anonymous” recapping their own childhood. This was a pleasant distraction from the rather one-dimensional locale of lush forest and dense trees. These accounts from Claire and “Anonymous” were destined to collide by the book's end, but the mystery is how the two characters are related and the inevitable word journey.

Claire (teacher) and her husband Noah (physicist) are in the slumber of a failing marriage, so the two decide to embark on a short vacation to a cozy inn nestled in the northern Colorado wilderness. They are accompanied by Claire's best friend Lindsey (can't remember!) and her new boyfriend Warner (surgeon), as well as Noah's best friend Jack (handyman) and his wife Michelle (attorney). It's a diverse group made up of various professions that may or may not play a hand in the book's plot.

Like most outings in the forest, car trouble and lack of cell phone coverage invite murder and mayhem. As Jack attempts to lead the group through the forest, hoping to find the inn, they immediately become lost, cold, and hungry with water diminishing. The first member of the group dies from poisoning, then another from an apparent animal attack. One disappears completely. Three members are left when they locate a small cabin full of supplies. But, the cabin's owner is dead. What in the actual Hell is happening here?

I've watched plenty of VHS horror, and read my fair share of Paperbacks from Hell, so the premise of One by One wasn't that original. Thankfully, McFadden focuses on character development to build her plot and enhance the story. She has a unique way of telling a great story through dialogue and character interaction. It isn't what's on page, but what's hidden from the reader that is so important. McFadden doesn't provide enough clues to really hone in on the murderer, but she kept me guessing until the very end.

If you enjoy the “weeding out the weak” survival novels, or just a “who's the murderer within our ranks” story, then One by One is an easy recommendation. I devoured it in one sitting and not only discovered a great book, but a fantastic author. At the time of this writing, I'm on the waiting list for her newest novel, Ward D, which promises more mystery, murder, and...terrible cell phone service.

Buy a copy of this book HERE.